In the same year, CATCHPLAY also provided financing and local production support to director Martin Scorsese’s passion project Silence, making it the first international production filmed entirely in Taiwan. CATCHPLAY and partners also control exclusive distribution rights to these films in Taiwan, China, Hong Kong and Macau, with The Revenant generating outstanding box office results from these territories in 2016. In early 2015, we closed a partnership deal to invest in New Regency’s three enthralling titles, namely The Revenant, Assassin’s Creed and Splinter Cell, marking the first investment of a Taiwanese company in major Hollywood productions. Both investments generated considerable box office performance in Taiwan and China respectively.
In the same year, we invested in the locally produced film, Paradise in Service and co-produced 20 Once Again with CJ Entertainment for the Chinese market. A vastly underrated little gem.In 2014, in addition to distributing the movies CATCHPLAY loves, we embarked in earnest co-production and investment projects, venturing into content creation. Skilfully handled by everyone involved and the kind of film that warrants more attention. However, this is a small gripe in what is otherwise an inventive and sophisticated little drama. To go from an 18min short to a 100min feature is a bit of a stretch and as a result, the film meanders toward it's conclusion. The only apparent problem is over-length. Ellis is a director that has now caught my attention and he draws excellent performances from a relatively unknown cast. It's a cleverly constructed and stylish debut with sharp dialogue and genuinely touching and hilarious moments. Such a shame, that this hasn't gained a wider audience. However, it's also a prime example of how films can be almost completely buried if it doesn't receive the right marketing campaign. It's a good comparison as this film is as fresh and engaging as Smith's earlier work. a background in poetry and painting instead of Comic-books and bestiality jokes". The New York Post compared Sean Ellis to "Clerks" director Kevin Smith, if he had ". This is an imaginative and thoroughly rewarding little film from a promising new director. And so begins, the journey of insomniac Ben Willis who stops time and undresses women to paint and sketch their female form. Not unlike the feeling of somebody walking over your grave".
And when it started back up again, the invisible join would be seamless except for a slight shudder. Nobody would even know that time has stopped. The best way to describe this film lies in a direct quote from the protagonist himself "Within this frozen world I'm able to walk freely and unnoticed.
As sleep is hard to come by, he takes on a night-shift at the local supermarket where he develops ways to alter time and indulge in his artistic imagination. Young artist Ben Willis (Sean Biggerstaff) breaks up with girlfriend Suzy (Michelle Ryan) which leads to him developing insomnia. Because of this, he decided to expand it to feature length and delivers a delightful little independent film. Director Sean Ellis made an 18 minute short film in 2004 that won a plethora of International awards and received an Oscar nomination.
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